“Your first 10,000 photographs are your worst.”
Henri Cartier-Bresson
Henri Cartier-Bresson (August 22, 1908 – August 3, 2004) was a French photographer considered the master of candid photography, and an early user of 35 mm film. He helped develop street photography, and approvingly cited a notion of the inevitability of a decisive moment, a term adopted as the title for his first major book. His work has influenced many photographers.
https://en.wikipedia.org/wiki/Henri_Cartier-Bresson
On Photography
Why I like low key lighting…
Low key lighting is a style of cinematography and photography where you create images featuring mainly dark tones to create a dramatic, contrasty looking image. Personally I find myself working a lot in this style. [...]
Famous photographers photographing themselves…
Autorretratos de Fotógrafos Famosos The term " selfie " has become part of our lexicon and self-portraits have never been so popular as of late. But teachers photographers did it first and did it better. [...]
Photographers I Admire
Photographers I Admire – Lutz Dille
From The Compassionate Eye of Lutz Dille by Vincenzo Pietropaolo: The street is like a stage of everyday life, the public sphere of much of our existence, especially in larger cities where the critical mass of [...]
Photographers I admire: Terry O’Neill
From Wikipedia: Terry O'Neill (born 30 July 1938) is an English photographer. He gained renown documenting the fashions, styles, and celebrities of the 1960s. O'Neill's photographs display his knack for capturing his [...]
Photographers I Admire – Phillip Townsend
Bio from the Morrison Hotel Gallery: The British panorama of the 1960s was photographed by a young worldly gentleman who worked as a photojournalist for Tatler Magazine. As the cultural movements of the 60s swung [...]
Photographers I admire – Astrid Kirchherr
Astrid Kirchherr (born 20 May 1938) is a German photographer and artist and is well known for her association with the Beatles (along with her friends Klaus Voormann and Jürgen Vollmer), and [...]
Photographers I Admire – Herb Ritts
You're trying to get to one moment with one frame that eventually may speak for your generation. Herb Ritts, 1999 Herbert "Herb" Ritts Jr. (August 13, 1952 – December 26, 2002) was an American fashion [...]
Photographers I Admire – Henri Cartier-Bresson
Henri Cartier-Bresson (August 22, 1908 – August 3, 2004) was a French photographer considered the master of candid photography, and an early user of 35 mm film. He helped develop street photography, and approvingly cited a notion [...]
What I’m Watching
What I’m Watching… ’Masters of Sex – Season 3′
According to Robert Lloyd, the Los Angeles Times television critic, the show is a "handsome thing, another well-dressed romp through the American mid-century, when things (we imagine) were simpler and (so we like [...]
What I’m watching…François Truffaut documentary: ‘La Leçon de Cinema’
The documentary examines Truffaut’s life and career in astonishing totality, highlighting selected clips from many of his best and most-loved films, including under-appreciated gems like his crackerjack movie-within-a-movie, Day for Night, and [...]
What I’m Watching… ‘Nosferatu: Phantom der Nacht’
Nosferatu the Vampyre is a 1979 West German art house vampire film written and directed by Werner Herzog. Its original German title is Nosferatu: Phantom der Nacht ("Nosferatu: Phantom of the Night"). The film is [...]
What I’m Watching…’Three Colors: Red’ Krzysztof Kieślowski
An incandescent meditation on fate and chance, starring Irène Jacob as a sweet-souled yet somber runway model in Geneva whose life intersects with that of a bitter retired judge, played by Jean‑Louis Trintignant. [...]
What I’m Watching… ‘Trois Couleurs : Bleu’
Another film I revisit often. This time to closely observe the cinematography by Slawomir Idziak. Amanda http://www.amazon.com/Three-Colors-Criterion-Collection-Blu-ray Most Popular Posts in 2016 Recent Comments 'This [...]
What I’m Watching – ‘Blow Up’ Dir. Michelangelo Antonioni 1966
From an article by Roger Ebert: Michelangelo Antonioni's "Blow-Up" opened in America two months before I became a film critic, and colored my first years on the job with its lingering influence. It [...]
